Showing posts with label Grand Designs. Show all posts
Showing posts with label Grand Designs. Show all posts

Saturday, October 10, 2015

Bitten deep by positano

Sunday 28–Tuesday 30 September 2014

Positano steinbeckons

Here we are, over a year since Til and I were in Positano, and I'm still yet to sort all my photos and notes and memories into posts and albums and videos. But I persist, inching my way through whenever I get the chance. It's quite an efficient way of remembering, really. And Positano, of all places, seems a fitting way to recommence, given those famous remarks of John Steinbeck's about the town, which, I'm sure, must adorn almost every travel blog post ever written about it. But once more won't hurt:

     'Positano bites deep. It is a dream place that isn't quite real when you are there and becomes
     beckoningly real after you have gone' – John Steinbeck.

This still rings true sixty years later, despite the changes to the town. I'm pretty sure both Til and I have found ourselves uttering the phrase 'Remember in Positano ...' disproportionately often, especially considering how short of a time we were actually there. In my memory it feels like days and days ...


'Come back to sorrento'

After our epic, uncomfortable, almost entirely sleepless overnight bus trip from Munich, we arrived in Rome, grimy and groggy, at around 7am, and found our way via the Metro to Roma Termini, where we would board another train to Naples. Of all the places we'd been so far in our travels, this sprawling, bustling train station was actually the first place we'd already been to in the past, three years earlier on our exchange trip. The experience of being somewhere so foreign and so insignificant to us – just a functional point of transit, nothing sentimental – and yet simultaneously so recognisable, was thoroughly surreal to me. Like spotting a familiar stranger you recognise from your hometown in a completely different city: you know them, but you also can't claim any ownership of them. You only know their face. One of the subtler quirks of travelling, I suppose. We reminisced about all the stressful, harried moments and travel disasters we'd experienced in that same station before like wise old folks looking back on the follies of youth. The inception of smartphones in between this trip and our last had practically obviated travel disasters from this trip altogether.

While I waited with our bags for Til to come back with some breakfast, I got talking to an older Australian woman waiting for her own partner about how she worked in security, and all the places we were about to go. You really can't go five minutes in Europe without bumping into another travelling Australian.

After that we boarded our train to Naples, sidling through the hallway and into an empty compartment and unshouldering our backpacks. Before long we were joined by a pleasant, voluble Neapolitan, Antonio (who might've been a surgeon?), with whom we had a long discussion about all sorts of things for the duration of the journey (see the video at the end of this post). It makes me wish it was so easy to talk to people back home.

From Naples it was another – this time pleasantly soporific – train trip to Sorrento. I slept the whole way, but I remember it so vividly from the winking interstices in my sleep: a shift in position here, a bleary glimpse around the carriage there. It was a raucous journey, despite my somnolence, the racking and clacking of the old carriage over the tracks shunting us around in our seats. I recall the open, empty space of the carriage being filled with such bright Italian light as it throttled through the famed countryside of Campania, mountains on one side of us and sea on the other, almost like that brief, glorious stretch of railway between Stanwell Park and Thirroul back home that never fails to pull the gazes of surfers checking out the water and phone-fixated commuters alike. Periodically the magnificent views would be obscured as we flickered through umbriferous caves of vines encasing the fences that divided the train line from the backyard gardens of houses on either side, all bursting with produce in the typical Italian fashion, nurtured by the region's rich Vesuvian soils. I almost felt guilty sleeping through it, but I really needed it after the previous night, and I knew there'd always be the way back.


Ciao, positano

In Sorrento we found our way to a bus that would take us the rest of the way to our hostel in Positano,  a small town nestled in the cliffs of Italy's stunning Amalfi Coast. Supposedly it was struggling to survive until Steinbeck wrote his (highly recommended) Harper's Bazaar essay about it, full of amusing details and characters and anecdotes, and since then it has been a popular tourist destination, despite Steinbeck's predictions that it could never become such. Of course, this sets up the impossible task of trying to write about a place that has already been written about by Steinbeck. You'll excuse me if I refrain from this task where I can and, instead, refer you to his infinitely superior prose:

     Flaming like a meteor we hit the coast, a road, high, high above the blue sea, that hooked and
     corkscrewed on the edge of nothing, a road carefully designed to be a little narrower than two
     cars side by side. And on this road, the buses, the trucks, the motor scooters and the assorted 
     livestock. We didn't see much of the road. In the back seat my wife and I lay clutched in each 
     other's arms, weeping hysterically, while in the front seat Signor Bassano gestured with both 
     hands and happily instructed us: "Ina da terd sieglo da Hamperor Hamgousternos coming tru
     wit Leeegeceons". (Our car hit and killed a chicken.) "Izz molto lot old heestory here. I know.
     I tall". Thus he whirled us "Throt Italy". And below us, and it seemed sometimes under us, a 
     thousand feet below lay the blue Tyrrhenian licking its lips for us.

I'm not sure how much the roads have changed since Steinbeck's days, but I can assure you that hairline, cliff-hugging track was quease-making for more than one of the passengers on that bus, including a Canadian girl, Christa, sitting nearby, who would be staying at the same accommodation as us. The views were enough to make up for it for me, though, especially as we came within sight of the town and it kept hoving in and out of view as we skirted each protruding cliff (see the video).




For want of any space to pull over once we finally reached the town, the bus stopped in the middle of a bend in the road to spit us out, holding up traffic while we collected our bags. Impassive locals watched from their cafes, sipping their coffees and smoking their cigarettes while we oriented ourselves and headed uphill for Hostel Brikette, making the acquaintance of Christa on the way. Once we arrived we were welcomed by a warm, breezy British woman put into what seemed like a perpetual good mood by her sun-kissed existence here. She ushered us onto the balcony to await our check-in, where we took in the mandatory astonishing view and chatted with Christa and – surprise, surprise – another Australian couple living in London. Across the road was an inexpensive little pizzeria, C'era una Volta, that did incredible marinara pizzas,* which we were obliged to try out immediately after our long journey (an overnight bus, three trains and another bus, in case you weren't counting).

*The memory of that pizza has just driven me out to my local establishment in the hopes of recapturing that magic taste but, alas, I fear even the fine woodfires of Summer Hill cannot compete with true Southern Italian fare. 








After pizza and beer in the sun we went for a stroll down through the town and some seven hundred stairs to Spiaggia di Fornillo for a refreshing afternoon dip, sharing sympathetic looks with huffing and puffing tourists coming back the opposite way all the while. Let me refer you to Steinbeck, once again, for a word on stairs in Positano:

     Its houses climb a hill so steep it would be a cliff except that stairs are cut in it. I believe that
     whereas most house foundations are vertical, in Positano they are horizontal. The small
     curving bay of unbelievably blue and green water laps gently on a beach of small pebbles. 
     There is only one narrow street and it does not come down to the water. Everything else is 
     stairs, some of them as steep as ladders. You do not walk to visit a friend, you either climb or 
     slide [...] Positano is never likely to attract the organdie-and-white linen tourist. It would be 
     impossible to dress as a languid tourist-lady-crisp, cool white dress, sandals as white and 
     light as little clouds, picture hat of arrogant nonsense, and one red rose held in a listless 
     whitegloved pinky. I dare any dame to dress like this and climb the Positano stairs for a 
     cocktail. She will arrive looking like a washcloth at a boys' camp. There is no way for her 
     to get anywhere except by climbing.

These morning glory flowers were familiar from home. They're everywhere in Wollongong.




The site of the Positano Nativity (Presepe), which is brilliantly decorated and illuminated in December every year.

On the way to the water's edge.

The pebbly beach.

After sunset we made our way back up the stairs (the likes of which we hadn't tangled with since our foolhardy scaling of the Great Wall of China) and headed into town to find some dinner, ending up at Il Grottino Azzuro, where we'd exited the bus earlier, for a pasta and a salad each before bed.



Our extremely well-polished plates.


That tyrrhenian feelin'

The next morning we were slow to emerge from the hostel after the travails of the previous day, but when we finally did we sauntered into town in a very relaxed fashion to find somewhere with a magnificent view for brunch, settling on the very suitable Da Gabrisa Restaurant & Wine Bar (see the video for a sample of the view). I enquired about vegan options and the lovely old Italian waitress was very enthusiastic and accommodating, and recommended a vegetable risotto. I'd heard southern Italy was supposed to be fantastic for vegans, because a lot of the food is already accidentally vegan, and because it is anathema to Italian restauranteurs to put anything additional into a meal that wasn't listed on the menu, so there is no surprise cheese sprinkled atop a pasta or salad, or milk solids hidden inexplicably in a sauce, ruining an otherwise perfectly edible meal. They use fresh, whole foods here. 

When my meal came out, though, I admit I was slightly disappointed. It just looked like a plain, bland risotto with some limp vegetables languishing throughout. That all changed when I took the first bite. I hadn't accounted for the fact that we were in Italy. If that meal had've come out in Australia, it would've been awful, but since we were eating Italian cuisine in Italy, cooked by an Italian with Campanian produce, it was somehow out of this world. I don't know how they cook things that are so simple and yet so, so, so delicious, but somehow they do. Bellissimo!

Til with our view.


After brunch and a quick stop to drop off some clothes at a launderette, we wandered through town taking in the sights and then down to the main beach, Spiaggia Grande. The weather was beautiful, but we refused to pay fifteen euro each for a beach chair and umbrella, so we just slummed on the pebbles with the rest of the plebs, taking turns to alternately sunbathe and swim so no one could steal the camera. 


After a few hours we decided to head back, and we passed a very vegan-friendly-looking organic café. Til was still surfeited from brunch and I wasn't exactly hungry either, but I was really craving a salad roll (my old quotidian staple and favourite back home). I allowed Til to talk me out of it and kept walking, but by the time we'd reached the top of the hill I was determined to get my salad roll, especially since I'd seen they weren't going to be open the next day. So I left Til to sit on the side of the road (her choice), while I went back for my prize, and it was so worth it!





What would Steinbeck think if he could see these 'languid tourist-lady-crisp, cool white dresses' which he predicted could never be sold here, but which in so doing he helped to bring about?

As we carried on our way, Til was taken by the notion of watching the sunset over the water with a few beers, so we stopped in at Ristorante il Capitano for a cocktail and a beer. The place looked right over the water, and it was vast and empty in this interim hour far too early for an Italian dinner, so we found ourselves in command of it. The staff kept bringing us free nuts, which for some reason prompted us to try and create a male version of Women Laughing Alone with Salad (see below).





Men laughing alone with nuts.



Unfortunately, detracting from the fun was the presence of the restaurant's mascot, a brilliant blue macaw named Capitano, kept in a tiny cage nearby. His chest was de-feathered, as though he'd been plucking himself out of boredom or some other mental issue arising from his captivity, and every time he made even the slightest noise, the ogre-women of the proximate office would scream belligerently at him. What a horrible existence. Who ever thought it was a good idea to cage birds? It's absurd. See the video at the end of this post for some footage of Capitano.

Poor Capitano.

That night we had more delicious pizza from C'era una Volta with Canadian Christa, and she told us about her lifelong dream of going to Bali, which was obviously weird to hear as Australians because it's so achievable for us. But she said from Canada you can't get flights for anything less than thousands and thousands and thousands of dollars, which is crazy! Not long after that watched a quick episode of Grand Designs before bed.


Ciao, positano

And the next morning, all too soon, it was time to leave Positano already. Our schedule for our tour of Italy was brimming, so we weren't spending too long in any one place, but I comforted myself that we would be able to go to beaches all the way up Italy. Unfortunately I had somehow overlooked the fact that practically none of the places we were going was on the coast. I think I just didn't want to believe that that beautiful Tyrrhenian feeling was coming to an end. 

We loaded up on snacks for our journey, missed our first bus because it was overloaded, and squeezed onto the next one, winding away over the cliffs back to Sorrento, Naples, and onward to Rome and Tuscany, Siena-bound. But even now, a year later, I think I can still feel Steinbeck's Positanesi bite marks.

Here's a video I threw together out of random scraps of footage from Positano:

Tuesday, June 21, 2011

Bohemian rhapsody

The bus trip from Norwich to Prague was our longest yet: TWENTY-FIVE HOURS.

  Trepidatious anticipation at the journey's beginning. We were gonna get a disheveled 'after' shot as well, but couldn't be bothered by that point.

But it actually wasn’t as bad as it sounds. It was fine except for when the coach had to stop for whatever reason and the air-conditioning would stop too. We had excellent weather during the trip, in the thirties and sunny every day.

However long the journey was, it was worth it to be in Prague. It’s an incredibly beautiful city, simply a nice place to be. We did a lot of that thing tourists are s’posed to do where you just walk around not doing much but absorbing the atmosphere. 






 





 

 





It was the perfect place to visit to augment my nascent, Grand Designs–inspired interest in architecture; the styles to be seen are multifarious: medieval, neo-classical, cubist, art nouveau, Modernist, postmodern, everything!



 Prague Opera House.



 The one on the right looks like it's made of bubble-wrap, or ... you know ... glass bricks ...

 A glimpse of art nouveau.


 Cubism: they look like snub noses.



Thought this looked like a grand design abroad in progress.

And there are just nice touches everywhere. As with so many European cities, Prague is a testament to its people’s value of the nonessential. The bare functionalism of so many elements of society, of so many minds in Australia has been brought into contrast for me by my trip to Europe. I’ve been made to feel really defensive about my appreciation of art and my choice to do an arts degree by the attitude at home, so now whenever I’ve been coming across relevant quotes I’ve been writing them down, like these:  

‘The fact is, while we’re on the subject of cheese, and it’s a bit like wine, and it’s a bit like love: there are things in the world that are not necessary for survival. And it is one of the paradoxes of being alive that it is only the extras that make you want to keep on living. We don’t really embrace the world because there is water and warmth. They are the necessities without which we cannot live. But actually, what we can’t live without are the extras; wine and cheese.’ – Stephen Fry

‘We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering – these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love – these are what we stay alive for.’ – Dead Poets Society

'Where books are burned, in the end, people will burn.' - Heinrich Heine

People in Australia are always talking about the uselessness of art and arts degrees, but you find less of that attitude over here, and their attitude shows up in the extra, nonessential details of their cities, like the legs of public benches, the lampposts, the gates, the fountains everywhere, which I can never help myself walking up to and taking a photo of – I’m obsessed with water (features)! I’m beginning to wonder if the human race has evolved to find water beautiful and therefore want to live near it, because all the people who thought it was ugly wandered off into the desert and died.





Oh and also, they have COLD-WATER PUBLIC BUBBLERS. 

 They're YEARS ahead of us!

We found our way to the St Christopher’s hostel without a travel mishap or disaster to be seen. The hostel was really swanky, perhaps the best we’ve stayed in. We wondered if maybe the St Christopher’s chain spends the same amount on every one of its hostels, and they just got more for their money in the Czech Republic, which I should say was refreshingly cheap. The hostel was really environmentally friendly as well, which I thought was fantastic. It runs on 100% renewable energy sources, recycles shower water for use in toilets, extracting heat from that water beforehand and putting it to use, and it has automatic lights to conserve energy. If they can do it, why can’t everyone?

We didn’t know when we arranged to come to Prague, but fortuitously our stay coincided with the last four days of the Prague Fringe Festival, so there was plenty for us to do. The lady who told us about it recommended some events to us, two of which we attended on our first night. Funnily enough, both performers were Australian, as well. The first one was a musical comedian named Merry-May Gill, the conceit of her show being that, along with the timid local librarian (who bore a remarkable resemblance to Chrissy Howe), she was on a quest to learn what she could from the cultural hubs of Europe so that she could turn the rural NSW town of Moree into the cultural capital of the world. The show was pretty funny, but most of the humour was based on poking fun at Australia and Moree which, while different and new to the Europeans in the audience, was nothing we hadn’t heard before. She had an astonishing voice, though. Incredible.




The next event we attended was an intimate show with Australian songstress Phebe Starr, another incredible voice. She had a charmingly sincere dialogue with the audience, and Til and I and two Canadians we'd met (the dudes in the foreground of the above photo) had a chat to her after the show. The Canadians’ names were Matt and Luke, which was funny  (Til’s family often calls her ‘Mat’) because they said the other people they’d met on their travels and gone around with were also named Matt and Luke.



Next morning we went on yet another New Europe free walking tour with the Canadians, eh. Highlights included seeing the Kafka monument and the stories about the Czechs’ subjugation by the Soviets. 


Looks like something out of a story Sean would write.


Our guide telling us the (New Europe Free Walking Tour–compulsory) final story of citizen uprising when the people of Prague gathered in the central square dangling their keys to demand democracy.


In addition to the Chrissy lookalike from the night before was this guy who reminded me of Josh Lobb, pictured here with his friends desperately trying to answer the tourguide’s question.


Pick me, teacher, I’m ever so smart.
(picture from blog.chinesepod.com)

And after the tour we had a beeeeautiful, cheap-as-chips gourmet, al fresco lunch at this place around the corner.





Like I said, we spent a lot of time just wandering around. One afternoon we wandered our way to the super-cool Lennon wall.


 

 Someone hilariously profaned the Lennon wall with Rebecca Black lyrics.

We also came across another one of those lock-bridges we saw in Paris.




Stalky stalky stalky.

And an art gallery with these anti-consumerist statements crawling around outside.


David Černý's Babies.


Reflected in an artwork.

That night we went to another two Fringe events. The first was called ‘Glue’, a spoken word event by British poet Annie Moir. It was nice, but bizarre. It was in the tiniest room imaginable (the kind you walk into and instantly realise there is no escape from, causing you to wonder what you've gotten yourself into), with a small audience mostly comprised, I’m fairly certain, of the poet’s friends. She was a grey, steatopygious woman who mostly read poetry about ... y’know, love and children and getting old and housework and twee things like that, with a healthy helping of cliché in between. There was the usual discomfort of a spoken word performance, where you don’t know whether what you’re hearing is just the poet addressing you, or if it is supposed to be a part of the performance. But it went to a whole new level of weird when, to accompany her poetry, Moir drew different objects, images and toys out of a box onstage and arranged them on a table or stuck them on a big board like some kind of Play School presenter – there was a definite sense of the pantomime about her. Furthermore, in each transition between poems, her husband standing at the back of the room (about thirty centimetres away from the front) would play twenty seconds of some tenuously relevant song, to which the poet would halfheartedly and awkwardly dance.

But I mean, it’s a fringe festival – what else do you expect. It was weird, but her poetry had moments of poignancy and beauty, and I think sometimes that’s what art and poetry are about. Even though the style may not be your preference, you actively experience it, you hurl your intellect up against and into an artefact, a performance, a text, and see what you come up with, see what it makes you think about. I didn’t regret going at all; she was a lovely, warm woman of some talent who I was glad to support with my presence and entry fee.

In between the poetry performance and the next event Til and I had another delicious dinner and I discovered how AMAZING Pilsener Urquell is. No wonder the whole city is obsessed with it – it’s to Prague what Bintang is to Bali. Possibly it’s so good because the Czechs, apparently, INVENTED lager, and have the highest beer consumption rate in the world per capita. So if you’re in Prague and you go to a Pilsener restaurant bar and have the Urquell in the proper glass at the proper temperature (12 degrees), you won’t be disappointed. Even Tilly liked it and she hates beer!


Hesitant initial sampling.

The next performance was this highly recommended (by Matt and Luke) play called 7th Circle about these magician charlatans that accidentally summon a demon and have to complete three tasks or the world will end. With hilarious results. It was funny, but it felt a bit like a band three or four HSC Drama group performance to me. I think the Canadians might’ve been more easily impressed than us, or perhaps had lower expectations beforehand. Either way, I personally enjoyed the subtle equation of charlatan magic with religious practice.


Onstage antics.

The second challenge was a dance-off against Michael Jackson.

Til and I stayed in different dorms throughout the trip, because it was cheaper that way. My dorm was supposed to be mixed, but I swear it was eighty per cent annoying American girls. That night, just as I was finally drifting off to sleep, two of them came in and started YELLING to each other. I couldn’t BELIEVE it. SO RUDE. I feel bad judging Americans on these girls; I know all nations have their idiots, but the incidence seems to be higher in Americans in my experience of hostel life. At first it was like, ‘Oh my Gahd! Where’d you go!? Did you go to the big club? We were so wurrayed’ and then it turned into a half-hour discussion of the top ten most inane topics in the world. And then, just when you think it’s over and they’re finally going to sleep:



‘Oh, I forgaht to aask you if you like guacamole.’

‘Whut?’

‘D’you like guacamole?’

‘Why, do you have guacamole with you?’

‘No.’

‘Well why’re you aasking me that?’

‘It’s from Step Brothers.’

‘Oh, raight.’

‘Have you seen it?’

‘No.’

‘What? Why naht?’

‘I have started, I just never finished it.’

‘Gahd, get with the times.’

‘I’ve seen most of it, I just never saw the whole thing!’

And it’s like oh my God SHUT UP! Learn to express more than one single unit of meaning in each utterance. Every notion of your speech does not have to be given the maximum dramatic space and effect! Your conversations just devolve into these long, vapid exchanges of nothing, that way. No wonder the world hates America.

On our last full day in Prague Til and I went to look around the grounds of Prague castle, from where there are great views of the city. We had lunch up there with one of these views, then came back down to go to one last Fringe event. But alas, we could not find it in time and gave up (something that happened frequently on the trip). We did, however, find a Gloria Jean’s, whose iced coffees I’ve been missing desperately. That was a treat. One of the (few?) positives of multinational corporations.






 The inviting entrance to Prague castle.
A view of the castle at night.

Joy!

We rounded out our exploration of Prague with another stroll, a venture down to the water’s edge, a stint in the Kafka museum shop where I bought a copy of The Metamorphosis, and then a mouth-watering pizza dinner. 






 
That night was the last of the Fringe Festival, with Belushi’s, the bars on the ground floors of all St Christopher’s hostels, hosting the final party, so we hung out in there, me enjoying my last Czech Pilsener Urquell.

Next day we departed Prague for Berlin by train. Here’s hoping we don’t catch E coli and die in Germany!